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_curriculum/00-01_Intro.md

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## 3D Art
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### Sculpture
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#### [She Who Sees the Unknown](https://shewhoseestheunknown.com/) (2017-2021)
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#### [*She Who Sees the Unknown*](https://shewhoseestheunknown.com/) (2017-2021)
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Morehshin Allahyari (Persian: موره شین اللهیاری‎)
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![Morehshin Allahyari, She Who Sees the Unknown]({{ "https://i0.wp.com/shewhoseestheunknown.com/wp-content/uploads/2020/03/AllahyariM-SWSTU-TheLaughingSnake-01-5428x7286-1-scaled.jpg?ssl=1" | relative_url }})
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- How is the 3D printing used not just to replicate, but to speculate and resist?
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### Textile
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#### [Doilies](https://www.laurasplan.com/projects/doilies) (2004)
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#### [*Doilies*](https://www.laurasplan.com/projects/doilies) (2004)
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Laura Splan
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![Laura Splan, Doilies]({{ "https://cdn.prod.website-files.com/6391e5efd5c2c1a8b351b8b8/64078a19a76aa391400a0de0_Laura_Splan%E2%80%942004%E2%80%94Doilies-SARS%E2%80%94computerized_machine_embroidered_lace.jpg" | relative_url }})
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Close-up view of *Dollies (SARS)*, computerized machine embroidered lace mounted on velvet.
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## 4D Art
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### Video & Animation
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#### The Earth Eaters (2025)
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#### *The Earth Eaters* (2025)
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Made in [Processing](https://processing.org/) by Marina Zurkow and James Schmitz
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![Marina Zurkow and James Schmitz, The Earth Eaters]({{ "/assets/images/curriculum/Unit-0_Sample-1.jpg" | relative_url }})
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- How can code as a medium help us explore cycles of destruction, transformation, or growth?
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### Performance
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#### [Border Tuner / Sintonizador Fronterizo](https://www.lozano-hemmer.com/border_tuner__sintonizador_fronterizo.php) (2019)
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#### [*Border Tuner / Sintonizador Fronterizo*](https://www.lozano-hemmer.com/border_tuner__sintonizador_fronterizo.php) (2019)
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Rafael Lozano-Hemmer
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![Rafael Lozano-Hemmer, Border Tuner]({{ "/assets/images/curriculum/Unit-0_Sample-0.png" | relative_url }})

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